Music

Reference Collection - 1st Level North

Online book: click title to access

This book presents accounts of creative processes and contextual issues of current-day and early-twentieth century women composers. This collection of essays balances narratives of struggle, artistic prowess, and of "breaking through" the obstacles in the profession. This volume provides insight into the professional and compositional procedures of creative women in music and stands to be relevant for composers, performers, industry professionals, students, and feminist and musicological scholars for many years to come.

"A refreshingly fun guide" that reads "as if you're a fly on the wall in conservatory auditions, cutthroat competitions and the obsessive practice routines of professional musicians." (The New York Times) Arianna Warsaw-Fan Rauch's life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. In Declassified, she blows through the cobwebs of elitism and exclusion and invites everyone to love and hate this music as much as she does. She offers a backstage tour of the industry and equips you for every listening scenario, covering: the 7 main compositional periods (even the soul-crushingly depressing Medieval period), a breakdown of the instruments and their associated personality types (apologies to violists and conductors), what it's like to be a musician at the highest level (it's hard), how to steal a Stradivarius (and make no money in the process), and when to clap during a live performance (also: when not to).

This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic team of leading younger scholars and established authorities, it gives a state-of-the-art yet accessible overview of current thinking on this popular topic.